A woman cleaning out her childhood room is uncomfortable with facing her past self. The old diary that she disregards magically finds its way back to her, echoing the voice of her childhood self.
She catches the diary as it's falling and is whirled into her diary world, pages spiraling around her. She runs away from different pages/environments personifying her previous insecurities projected by society.

Nora, a 15-year-old Martiniquan teenager, has to follow her mother and her 6-year-old little sister, Mélissa, to the north of the island, to live at Henri’s, her grand-father, paralyzed after a recent stroke. They settle at the old man’s to provide him daily assistance, but very soon, the atmosphere of the house and Henri’s presence will awaken in Nora childhood memories that will be embodied in the fear of the attack of an evil spirit...

When 52-year-old Nora plays her supporting role for the umpteenth performance and again undergoes the toxic behaviour of the theatre company and the bullying of the lead male actor, she decides to take matters into her own hands.

Tagline: Show some teeth!

The Protagonist, by her given name, is presented to us in her natural environment : a jungle, sadly, often lacking in density. But today enough is enough! Being the mother, the secretary, the lover, the nanny, the baby bottle, the side piece of the main male character is no longer enough for our dear Protagonist! Put on "mute" after the allocated time for female* characters in a film was reached, she runs away with her friend Voice-Over for a new journey with plenty of humor.

Diovanna, a dancer realizes her transfemme identity through a choreographic journey of self-discovery, celebration, and the poetic metaphor of a flower coming to bloom.

Rebecca Zhao, Sula Barkin, and McQueen de la Cruz are on top of the world. When their casual-sex app for queer women, DIVR, becomes a breakout hit, the three college buds find themselves hailed as icons of progress, representing the entire queer community in their success. But behind the scenes, things are a little more complicated: Sula has been secretly dating a straight man, McQueen has been hiding a realization about their true gender identity out of fear that it will make their “by queer women, for queer women brand” appear to be a fraud, and Rebecca, who suffers from bipolar disorder, is about to buckle under the pressure.

Icons aren’t supposed to break, or lie, or be anything other than what those they represent want them to be. As the three friends struggle to decide between the roles they play and the realities they live, it becomes clear that nothing--not even the high ground--comes without a cost.

A girl mistakenly clicks on a link that shares her location with a stranger...and has to deal with the consequences.

A Black woman software engineer deals with workplace microaggressions from her male colleagues.

In 1870, Margaret Knight launched a patent dispute that would be the first of its kind. She is forced to prove in court that she the designer, is the rightful owner of the patent of the machine that puts bottoms on paper bags; not Charles Annan, the man who has already built it.

Five women, from a hospital clown to the co-director of the Big Apple Circus, reflect on their experiences of finding the funny in the face of marginalization. Conversations with Female Clowns explores the role of women in clowning as a microcosm of the larger cultural movement; it is a story of a minority within a subculture which will resonate with anyone who has ever felt othered.

Melissa, preparing for a dance performance, must also contend with an abusive stepmother.

When two long-time friends (and musicians) prepare to go on their first date they wrestle with the impact the date could have on their friendship. Will the date make them or break them?

“NATE” is a story both about Nate and utterly not about him at all. The titular character is the husband of Archelle and the reason she and her former best friend, Cassandra, are bitterly estranged. When Nate is out of the picture, the two women reconnect and can’t help but fall back into old rhythms. For better or for worse... NATE explores the depths of a female friendship that skirts the line between love and toxic codependency.