Blaire hasn’t seen Will since the assault, but she’s known his every move. Her own paranoia lures her a little too close, when she’s spotted by an old friend and pulled into the morning hours of Will’s dying party. In the test of who will break first, Blaire must find a way out before her obsessive tracking is revealed, and Will searches for a way to keep her quiet about the truth.

Gloria is a working, single, Mexican mother of two teenagers, a son, and a daughter, living in the U.S. When she decides one morning that she and her daughter, Paola, will start yet another juice cleanse she read about, she is met with resistance. Between her usual fajas (shape-wear), diet pills, and juices, Gloria will be forced to confront how her insecurities might be affecting her and her daughter.

Their friendship is in danger. Can they save it before it's too late?

Rigoberta finds a sofa on the street and decides to take it home, not only to discover such a surprise, the sofa that is actually a thing eating monster with a world of its own, the world of lost objects.

"Mira's Eyes" was created by Mona Fattali, a Syrian refugee woman living in Lebanon, as part of organisation Makani's feminist film making project "Film For Freedom". Mona has created a film about how work has helped her find strength, despite the death of her son, her displacement, and the severe injury of her daughter. This project was funded by the Canada Fund for Local Initiatives.

Two personal journeys intersect when a struggling young photographer is hired for a cheap last minute portrait gig. The unfolding photo session, while transient, leaves an indelible mark on both women.

A meditation on love and loss, "Endless Summer" tells the story of a friendship (a true bond) that remains after death.

The visuals of the video toy with presence and absence, while the lyrics invoke central questions: 1. How do you honor a love that remains after the loved one is no longer physically there? 2. How do you resume your life course after loss?

On the eve of their Mob Boss father’s funeral, the three estranged Fusco sisters come together to fight for liberation amid the male-dominated landscape of 1970s New York. Izzy Fusco returns home after two decades with her partner, Malinda January, to find her benefactor, Uncle Rocco, at odds with her sisters, Maryanne and Toni. Izzy is quickly exposed to Rocco’s menacing nature and learns that he is after their family business and home. She must choose whether to stick by Rocco or band together with her sisters to survive and find a way out from under Rocco’s rule. “The Fuscos” provides a twist on beloved, classic 70s mob films, lending a voice to the unheard women of that generation.

Rom-com gone wrong