33-year-old Amira struggles to find her place in between her Arab and American identities while living with and navigating her relationship with her culturally traditional, yet loving mother.

Candace is a young writer determined to finish her first book. She shares an apartment with Derrick, her attention-hungry boyfriend. When Derrick's antics infringe on her concentration, Candace plans a solo trip to a lake house in New Hampshire to get some pages in. Not keen on being away from his love, Derrick convinces Candace to let him join her. But New Hampshire is not the romantic getaway Derrick imagined. Candace staunchly maintains her focus on her work, leaving him lonely and frustrated. Feeling Candace slipping away from him, Derrick decides to act. But his attempt fails and pulls their relationship to a new low point. A point that proves impossible to crawl out of.

Small-town southern belle Lula Baker, owner of
Baker's Bakery, suddenly meets the man of her
dreams. Handsome, a debonair man-in-a-hurry,
enters her shop of sweets expecting an order,
mistaking her bakery for another. Fortunately for
him, Lula is just the girl to save the day!

A 90s girl group must decide between working with their lead singer’s rapist or giving up on their dreams.

A short narrative film that takes place in war-torn Yemen and follows a young deaf girl, Saleemah who has one major love in this world; her camera which her brother Aqeel introduced her to. Aqeel works as a news reporter and is unable to take her out to film because he is preoccupied covering the war. Frustrated, Saleemah wanders out of the house during an impending air strike. To make matters worse, she loses her hearing aids.

MATKA / POLKA [MOTHER / POLE] is a meditation on what it means to be a woman in today’s Polish society. As a collection of stories – all verbatim – from waiting rooms, gynaecology chairs, abortion clinics, and bedrooms, the documentary bears witness to everyday acts of patriarchy and systemic violence. Adopting a poetic visual language, MATKA / POLKA breaks the taboo around the experiences, emotions and identity of Polish women who have faced the country's strict reproductive policy and social prejudices to make decisions about their own life and body.

Rebecca Zhao, Sula Barkin, and McQueen de la Cruz are on top of the world. When their casual-sex app for queer women, DIVR, becomes a breakout hit, the three college buds find themselves hailed as icons of progress, representing the entire queer community in their success. But behind the scenes, things are a little more complicated: Sula has been secretly dating a straight man, McQueen has been hiding a realization about their true gender identity out of fear that it will make their “by queer women, for queer women brand” appear to be a fraud, and Rebecca, who suffers from bipolar disorder, is about to buckle under the pressure.

Icons aren’t supposed to break, or lie, or be anything other than what those they represent want them to be. As the three friends struggle to decide between the roles they play and the realities they live, it becomes clear that nothing--not even the high ground--comes without a cost.

Two couples in the same family face a new pregnancy, one for the first time, the other with a sorrowful past. After a miscarriage, the family dynamics change and they must learn to deal with tragedy in a whole new way.

In “Lob?”, Meagan contacts Ruth — her dead therapist — via seance… about a haircut. Meagan and Ruth’s reunion is bittersweet, joyful, and lively, but final in the way much needed closure always is.

Jane and Lola have lost touch over the years and when they reconnect they finally are granted the beauty of saying goodbye.