In 1870, Margaret Knight launched a patent dispute that would be the first of its kind. She is forced to prove in court that she the designer, is the rightful owner of the patent of the machine that puts bottoms on paper bags; not Charles Annan, the man who has already built it.

En Suite offers an emotional glimpse into the personal lives of a seemingly happily married couple following a radical bi-lateral mastectomy and reconstruction. Shot using a single, stationary camera, the months following the procedures that ensue, are seamlessly revealed exposing the loving and often difficult challenges this devastating diagnosis elicit.

30 Weeks follows Lia (Princess Adenike) and August (Mister Fitzgerald), a young couple dealing with loss and immense grief. The loss forces them to face deeper issues within their relationship, including mental health. In a matter of 15 minutes, the couple finds themselves pushed towards a reckoning deciding the fate of their relationship.

Out on a solo camping trip at a remote lake, an overwhelmed millennial just wants to find clarity, but may get the answers she was looking for from an unexpected supernatural visitor. Meanwhile, back in the 1960s at the same lake, young sisters Laura and Janie cross paths with an entity, which has horrific consequences.

Rosa is navigating the balance between family and career, knocking out software code from home, looking after her young daughter Maisie, and preparing a healthy meal in time for her husband’s return from the office. One night at dinner when Maisie's comments raise tensions at the table, Rosa discovers that her daughter has developed unusual abilities that threaten the harmony of her perfect family, and the world at large.

An anthology fiction short where three men find themselves in vulnerable positions with three women. This comedic horror drops the audience in the middle of stories about the invisible labor that women perform every day, the labor that makes the world go round. The vignettes depict these particular men’s lack of awareness to what supports their sense of self and well-being, and thus revealing a blind spot: they can’t tell whether they’re being saved, destroyed, or replaced.

Long (first-date) story short: She asks her to her best friend’s wedding.

“Rearranging Skin” tells the story of how Divya Anantharaman, a visionary, Brooklyn-based taxidermist and queer woman of color, is transforming a once bloody and violent practice into a beautiful, ecological, and humane work of art.

A "cabinet of curiosities" in its own right, “Rearranging Skin” is ultimately a call to action: to remake the world with creativity and care, righting the wrongs of the past one loving, skillful stitch at a time.

Two friends contemplate whether being in love is really worth it with each other.